Casa Nuestra Senora Del Transito
11.22
Casa Nuestra Senora Del Transito,
Franklin Villanueva y Maza, (5517) Lunlunta – Maipú.
Rising at 05.58.
Morning Sitting at 07.15. Introduction of an exercise.
Breakfast at 08.00.
A few comments presented on yesterday evening’s work.
Work for the morning called.
Personal meetings began at 09.00.
Kitchen Team meeting at 10.05 to discuss a group exercise during kitchen work.
Intro Team at 10.30.
Beginning with Circulating.
Then, two groups with down and up beats.
Then, without seats.
Then, into four groups gravitating around the four most vicious persons in the room.
Then, the groups talking (ie non-verbal talking) to each other within their group, then to the other groups.
The Buddies joined in with the continuing motion;
eventually forming one large Circle;
and a silent circulation.
Completing with almost-silent signalled chords.
Returning to the C Corridor to find Hernan rocking out, guitar in hand.
Surely, a good sign.
Personal meetings begin again at 11.30.Outside, pouring rain.
13.59 T’ai Chi with Luciano in the ballroom at 12.30.
Lunch at 13.00 with Silence visiting. Outline of work called for the afternoon.
Tea at 16.00.
16.08 Editing The Guitar Circle.
18.21 Personal meetings 16.30 to 17.20.
Meeting with the Intro Team plus The OCG Prep Teams to introduce the Second and First Primary. The Buddies took over c. 18.03.
19.28 The Guitar Circle revisions.
22.26 Dinner at 19.30 with several comments.
A meeting of The Vicious Queens Affirmative Action Special Study Group in C1 at 20.45.
House Of Guitars 21.30 – 22.21.
Orchestra Of Crafty Guitarists: when ready, please begin!
The Intro Team were a little hesitant to join The OCG Prep Team, but were encouraged.
Vicious Queen Julia took the Orcs along the corridor and onto the patio, where the large open space allowed The OCG to better find its feet.
Back to the ballroom where a large Circle formed and Whizzed.
Then movements and eruptions and flurries, returning to the large Circle.
Quite something, and this only our second evening of being in full-action mode.
Returning to C1 with some editing of The Guitar Circle.
